Introducing Katarzyna Konieczka: The Queen of Macabre Aesthetics in Fashion and Costume Design
Welcome to Generation AP, a spotlight on emerging actors, writers, and creatives poised to make their mark.
From cervical collars with metal attachments to extravagant headpieces, Polish fashion and costume designer Katarzyna Konieczka has established herself as the queen of macabre aesthetics. Some of her medical-inspired designs might make you reconsider your next dentist appointment, but they are sure to ignite your imagination.
Konieczka has captivated the world’s biggest pop stars with her distinctive creations. Born in Sopot, Poland, she graduated from Warsaw’s International School of Fashion and Costume Design in 2008. Since then, her work has attracted attention from magazines and celebrities alike, collaborating with icons like Lady Gaga, Madonna, and the heavy metal band Behemoth. Her designs have also graced the pages of Vogue and i-D.
Alternative Press spoke with Konieczka about her biggest projects and the inspiration behind her unique artistic vision.
How did you get into design? What sparked your artistic expression?
It all started in childhood. It takes a particular kind of person to observe the world differently, noticing shapes and silhouettes in everyday objects. I wasn’t interested in the things that most children focus on. My imagination would take me to a fantasy world, and that’s where it all began.
Your style is quite unique. How would you describe it, and who are your inspirations?
My style is dark, organic, and rich in form. I’m inspired by artists like H. R. Giger, who worked on the Alien franchise, and Zdzislaw Beksi?ski, whose dystopian, surrealist art is full of darkness and lace-like patterns. Giger's ability to create his own anatomical systems, or bones, was captivating. I also admire Eiko Ishioka, especially her work on The Cell, and the artistic scene from my hometown of Sopot, which had a vibrant club culture full of artists and designers.
How did your work come to be featured in Madonna’s Vanity Fair photoshoot?
Madonna’s creative stylist reached out to me on Facebook. We had previously worked together on a Fergie music video for A Little Work. At first, I didn’t get too excited, thinking she might be contacting multiple designers, but after the shoot, she sent me a message saying it all went fabulously! She was thrilled, and that was the first time I truly felt appreciated, especially when I saw my original designs featured. It was such a fulfilling moment.
What advice would you give to aspiring designers who want their work worn by top stars?
Protect your uniqueness and originality. Take time to look inward, detach from the noise of other creatives, and find your own path.
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